KinoSaito’s spacious galleries are designed to highlight ideas at the core of the center’s mission—experimental practices of artists working today seen in relation to Kikuo Saito’s paintings, works on paper and theater design from throughout his over fifty-year career. In the first gallery, visitors encounter a selection of Saito’s work that changes quarterly, each iteration highlighting a theme, motif, painting style or area of focus worthy of the artist’s extended study. The second gallery is a rotating series of exhibitions featuring the work of contemporary artists across disciplines, media, and artistic practices.
GALLERY 1
Kikuo Saito: Unraveling
Curated by Kikuo Saito Studio
9 Mar. – 5 May 2024
This assembly of seven canvases produced between 2009 and 2012 illuminates a period of swift transition in the figure/ground dynamics in Kikuo Saito’s paintings. During this turn, the grids that scaffold his Alphabet paintings give way to a pale lattice that flickers between the fore and ground, almost disappearing.
Kikuo Saito, Blue Snake, 2010
Oil on canvas, 48 1/2 x 67 in
GALLERY 2
Alina Tenser: Wrk Frm Hm
Curated by Sarah Strauss
9 Mar. – 5 May 2024
Alina Tenser is a Ukrainian born artist currently living and working in Brooklyn, NY. Working across sculpture, performance, and video, she makes propositions that elicit physical activation and play. Utilizing industrial and domestic materials and processes she reimagines taken-for-granted social and material relations; mining the entanglements of her experience as an immigrant and parent.
Alina Tenser, House/Xaoc, 2023
Vinyl, zipper and concrete
Dimensions variable (when fully zipped up, 9 x 65 x 12 in)
THEATER GALLERY
Bel Falleiros: Navel-Knot // Root-Rise
Curated by Jess Wilcox and organized in partnership with River Valley Arts Collective
9 Mar. – 5 May 2024
The exhibition embraces the symbolic potential of the artist’s engagement with Earth-centered elements: fired terra cotta, plant and earth pigments, and sound that Falleiros incorporates into a series of works that celebrate the majesty and complexity of landforms and forests, and the continuity of water and life flowing through them.
Bel Falleiros, As Red As Brazil, 2022, brazilwood ink on cotton fabric, 9 × 7.5 feet
OUTDOOR
Ricardo de Oliveira: As The Years Went On… (Woman’s Eye)
Curated by CLEA RSKY
9 Mar. – 5 May 2024
As The Years Went On… (Woman’s Eye), installed at KinoSaito’s outdoor exhibition space, originates from a larger collection of black and white photographs taken by Ricardo de Oliveira, all featuring fragmented and cropped details, taken from the movie posters that line New York City subway stations. This series was compiled and realized as an artist book (As the years went on…), which is available to view and purchase in KinoSaito’s gift shop.
Ricardo de Oliveira, As The Years Went On... (Woman's Eye), 2023, Digital print, 36 x 24 in
GALLERY 1
Kikuo Saito
Curated by Kikuo Saito Studio
11 May – 15 Dec. 2024
GALLERY 2
Chie Fueki: Petal Storm Memory
Curated by David A. Ross
11 May – 15 Dec. 2024
Fueki was born in 1973 in Yokohama, an ultra-modern industrial port that is a prime example of the high-tech rebuilding of Japan following the destruction of World War II. But at age three, her parents moved to São Paulo, Brazil, where her father worked with a Japanese-based global shipping company. It is hard to imagine two more profoundly different cultures than Brazil and Japan. As her mother was not allowed to work in Brazil, she raised Fueki in a very different culture, thousands of miles and culturally light-years away from Japan. So, except for brief visits, Fueki has never lived in Japan as an adult. After attending a Japanese elementary and middle school and an international high school in São Paulo, she moved north to the United States for college and graduate school. Fueki grew up feeling like an outsider in Brazil and then again in the U.S. Even though she was raised in a Japanese household, the cultural collisions she experienced at such an impressionable age enormously impacted her sense of self and left her with a sense of displacement and longing – untethered in her own floating world.
Chie Fueki, Painting, 2023, Acrylic and colored pencil on mulberry paper on wood, 60x48
THEATER GALLERY
NON Objectified
Curated by Kathy Battista
11 May – 15 Dec. 2024
Non-Objectified presents a dynamic group of works by female artists operating under the umbrella of abstraction. The show’s title is a play on the term ‘non-objective’ painting, coined by by Alexander Rodchenko in 1918. This movement was centered in Europe and created in reaction to centuries of figurative representation, as practiced and espoused in the academies. Non-Objectified is a riff on Rodchenko’s term, a double entendre exploring female artists’ resistance to the objectification of bodies. The show takes the form of a dialogue between works by a cross-generational, international group of artists selected for their varying approaches to abstraction, each variation invoking or involving the body in subtle ways.
Miriam Schapiro, Rude Structure, 1966, acrylic on canvas, 80 x 72 in
OUTDOOR
Natsuki Takauji: The Heart of The Tree
11 May – 15 Dec. 2024
Natsuki Takauji was born in Japan and moved to NYC in 2008 to discover the city and herself as an artist. She works toward questions driven by her life experiences in Japan and as an immigrant in NYC; her primary artistic intention is to communicate individually or communally. Therefore, many of her works are interactive or participatory, installed in public spaces.
Natsuki Takauji, The Heart of The Tree, 2023
Steel, stainless steel, brass, bronze, handblown glass, and silicone
80 x 56 x 56 in
Past Exhibitions
-
KinoSaito Annual: Community Art Benefit
Curated by KinoSaito Art Center
15-17 Dec. 2023 -
Lee Tribe
Curated by Kikuo Saito Studio
2 Sep. – 17 Dec. 2023 -
Kikuo Saito and Friends: New York City Downtown and Beyond, 1970s and 1980s
Curated by Karen Wilkin
13 May – 17 Dec. 2023 -
Niki Lederer: Knickerbocker Ice
Curated by Kikuo Saito Studio
4 Mar. – 30 Aug. 2023 -
Kikuo Saito: Pictorial Clay
Curated by Jim Walsh
4 Mar. – 7 May 2023 -
Patrice Renee Washington: Tendersweet
Curated by Olga Dekalo and organized in partnership with River Valley Arts Collective
4 Mar. – 7 May 2023 -
Murray Hochman: New Dimensions
Curated by Kikuo Saito Studio
4 Mar. – 7 May 2023 -
Kikuo Saito: Hatching Color
Curated by Kikuo Saito Studio
9 Sep. - 18 Dec. 2022 -
Signaling
Curated by Alexander Provan
9 Sep. - 11 Dec. 2022 -
XYZ: Alphabetical Ruptures and Reformations
Curated by Sophie Landres
8 Jul. - 4 Sep. 2022 -
Kikuo Saito: The Alphabet Paintings
Curated by Kikuo Saito Studio
3 Jun. - 4 Sep. 2022 -
Pooneh Maghazehe: Half-Life
Curated by Beth Venn
6 May – 26 Jun. 2022 -
Material Presence: Kikuo Saito
Curated by Karen Wilkin
4 Mar. – 22 May 2022 -
Material Presence: Jilaine Jones + Fran O’Neill
Curated by Karen Wilkin
4 Mar. – 24 Apr. 2022 -
Christina McPhee: Regeneration
Curated by Beth Venn
4 Mar. – 24 Apr. 2022 -
Kikuo Saito: Cloud Paintings
Curated by Kikuo Saito Studio
9 Sep. – 19 Dec. 2021 -
Painting as Performance / Performance as Painting: The Theater Paintings of Kikuo Saito
Curated by Kikuo Saito Studio
9 Sep. – 19 Dec. 2021
KinoSaito Programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.