Future Artists in Residence

Hiroko Kubo

8 Nov. – 6 Dec. 2026

Open Studio:
5 Dec. 2026 | 1-4pm | Free

Born in Hiroshima in 1987. Lives and works in Chiba, Japan. She graduated from Hiroshima City University and completed her MFA in Sculpture at Texas Christian University.

Drawing on research into theories of prehistoric art, folk and indigenous art, and cultural anthropology, Kubo creates sculptural works using industrial materials such as wire mesh, agricultural sheets, and windbreak nets. Her practice explores themes such as the threat of nature, cycles of destruction and regeneration of relics, and representations of marginalized women. Through her work, Kubo invites contemporary reconsideration of the beauty embodied in idols shaped by myth and prayer, and in utilitarian objects rooted in daily life.

In 2025, she participated in the Casa Wabi residency in Mexico. She received the Hiroshima Newcomer Award for Culture in 2022, and the Grand Prize in the Rokko Meets Art Competition in 2017. Her large-scale works are included in the collections of KAMU Kanazawa (Ishikawa), the Osaka-based Chishima Foundation for Creative Osaka, and IZAK Corporation (Toyama), among others. Since 2017, she has been managing the Alternative Space CORE in Hiroshima.

Hiroko Kubo, Three Yellow Sphinxes, 2024, Steel and plastic nets, 78 3/4 × 125 × 39 3/8 in; 116 1/2 × 114 1/8 × 35 1/2 in; 114 1/8 × 88 1/4 × 35 1/2 in

Hiroko Kubo, The Lion with Four Blue Hands, 2025, Plastic tarp and aluminum rivet, 708 3/4 × 425 1/4 in

Hiroko Kubo, Gentle Hand, 2018, Steel and plastic tarp, 153 1/2 × 113 3/4 × 59 in

Hiroko Kubo, Statue of Hainuwele, 2020, Steel, plastic mesh, and mud, 78 3/4 × 708 5/8 × 354 3/8 in


Alejandro Valencia

8 Nov. – 6 Dec. 2026

Open Studio:
5 Dec. 2026 | 1-4pm | Free

Alejandro Valencia (b. Pereira, Colombia) is an artist working between New York, Miami, and Manizales, Colombia. His practice engages with notions of historicity, exploring the forces that disturb, reconfigure, and transform it, often manifesting in site-responsive installations that incorporate found materials, archives, sound, images, stories, and myths from a specific place.

Valencia earned his BFA from New World School of the Arts in Miami (2017) and his MFA from Columbia University (2026). He pursued advanced research in Colombia, completing studies in Historical Memory at the Universidad de Antioquia (2020) and in Political Aesthetics at the Universidad Jorge Tadeo Lozano (2021). His work has been exhibited at CAC Passerelle, Brest, France (2026); The Re Institute, New York (2026); Wallach Gallery, Lenfest Center for the Arts, New York (2025); Centro Cultural de España, Tegucigalpa, Honduras (2023); Doral Contemporary Art Museum, Miami (2023); Nueveochenta, Bogotá, Colombia (2023); Museo de Arte Pereira, Colombia (2023); ARTBO/Artecamara, Bogotá, Colombia (2022); Alliance Française, Pereira, Colombia (2023); Centro de Museos, Universidad de Caldas, Manizales, Colombia (2021); Fountainhead Residency, Miami (2018); Cisneros Fontanals Foundation, Miami (2017); Mindy Solomon Gallery, Miami (2017); Boca Raton Museum of Art (2013); among others.

He was nominated for the Sara Modiano Contemporary Artist Award (2022), and the Harpo Foundation Emerging Artist Fellowship (2017), and is a recipient of the LeRoy Neiman Foundation Fellowship (2024-26), the Miami Individual Artist (MIA) Grant (2023), and the Frances Wolfson Fellowship (2012). His work is part of the permanent collection of the Museo de Arte de Pereira. Valencia is the co-founder of colectivo, an artist collective with bases in New York, Los Angeles, and Miami, dedicated to exploring DIY culture in the Global South, and of NOMUSEO, a curatorial research initiative based in Manizales, Colombia.

Alejandro Valencia, The Other, 2026, Razor wire, steel, found bone, found necklace, printed matter, and found pumice rock, 70 x 120 x 10 in

Alejandro Valencia, GSH02 (Revo), 2026, Graphite on wood, aluminum, and trumpet fragments, 14 x 10 x 12 in

Alejandro Valencia, GSH03 (Revo), 2026, Graphite on wood, radio fragments, clarinet fragments, paper, and aluminum, 17 x 19 x 12 in

Alejandro Valencia, An Elsewhere (between a Here, and a There), 2025, Wood platform, two-channel video (15 min), cactus, sand from two beaches, road sign, vinyl sleeve and record, barbed wire, log, driftwood, basket, car rim, rusted paint can lid, Pueblo pottery shard, printed matter, flowers, rocks, 25-cent coin, clay, soil from Columbia University, soil from Colombia, interred US flag, plant, steel spikes, plexiglass, water, and time. Dimensions variable

Alejandro Valencia, DYNAMO (RaTM001), 2026, Graphite on reclaimed wood, aluminum, selection of banned books, soil, vinyl sleeves, records, fragments of wind instruments, pencils, clay, microphones, stones, drum heads, printed matter, found steel, extension chords, antenna, found radio components, copper, fragment of a sidewalk, sounds of protests, and speakers, 52 x 156 x 56 in