
Panel Discussion
William Noland in Conversation with Curator Karen Wilkin moderated by Sarah Greenberg Morse
Sat. 9 Sept. 2023 | 3:15pm
William Noland has created discrete bodies of work in sculpture, photography and video over more than 45 years as a working artist. His work in sculpture has been made in conversation with the built world, exploring the intersection of sculpture, architecture and functional objects. His photography has pursued an expansive sense of what documentary work means and can convey. In his allusive, time-based video works, he records sound and moving images along with using found footage and salient voices from previously recorded materials.
An Emeritus Professor of Visual Art at Duke University, he taught sculpture, photography and filmmaking for 30 years. During that time he received a National Endowment for the Arts Visual Artist Fellowship in Sculpture, a Fulbright Scholar Award in Photography, and Josiah Charles Trent Memorial Foundation Grants for both photography and video. From 1995 to 2004 he worked for DoubleTake magazine, first as an editorial advisor in photography and subsequently as a contributing photographer. He was also a frequent participant in the annual Robert Flaherty Film Seminar, attending eleven seminars between 1999 and 2015.
Karen Wilkin was educated at Barnard College, NY and Columbia University, NY. She is a Fulbright and Woodrow Wilson Fellow. Regular contributor to The New Criterion, Art in America and The Wall Street Journal; contributing editor for art for, The Hudson Review. Publications include monographs on Paul Cezanne, Georges Braque, Giorgio Morandi, Stuart Davis, Anthony Caro and David Smith. Was Contributing Editor for the Stuart Davis Catalogue Raisonne. Teaches in the MFA program of the New York Studio School. Has organized numerous exhibitions nationally and internationally on modern painters and sculptors, including Stuart Davis, Anthony Caro, David Smith, Hans Hofmann, Milton Avery, Judith Rothschild, and Helen Frankenthaler.
Sarah Greenberg Morse is an art advisor, working with clients on a range of fine art and estate services including valuations, collection management, deaccessioning, and estate sales.
Having completed a long career as a photo editor at The Wall Street Journal and BusinessWeek Magazine, Sarah is excited to be back in the art world. Prior to her years in journalism, She founded and directed two contemporary art galleries in SoHo. She holds an MBA in Marketing from NYU and a BA in Art History from Vassar.
Sarah is the daughter of art critic, Clement Greenberg, and writer, Jenny Van Horne. Born and raised in New York City, she spent most of her time hanging around artists’ studios, galleries and museums. Today she lives in Brooklyn with her husband, Matthew Morse, a psychotherapist, and until recently, their two daughters who have flown the coop.